Every day, Hong Kong is crossed by a continuous flow of people, cars and lights moving through the streets of the city. At the same time there is also loneliness, fixity and permanence.
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Fascinated by this reality of perpetual transit and strong dialogue between mobility and immobility, photographer Brian Yen decided to start a project with his digital camera. His work lasted 365 days “A Year in Hong Kong”. In this series of shots it’s perfectly clear the idea of a city that moves frantically non-stop, where everything can be transient, but there is also a second face which is the opposite of the first, a continuous alternation as day and night or as life and death.
A Year in Hong Kong
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