Septet: The Story of Hong Kong
A seven-part anthology film exploring the history of Hong Kong from the 1940s to present day.
Yuen Woo-ping (袁和平; born 1945) is a Hong Kong martial arts choreographer and film director, renowned as one of the most successful and influential figures in the world of Hong Kong action cinema.
A seven-part anthology film exploring the history of Hong Kong from the 1940s to present day.
An seven-part anthology film exploring the history of Hong Kong from the 1940s to present day.
A story of lost love, young love, a legendary sword and one last opportunity at redemption.
The world is on the brink of catastrophe in a chaotic age where evil demons roam. In order to keep evil at bay, a mysterious organisation from the pugilist world emerges. A new constable and a young girl with a mysterious past are also drawn into this group, and the group embarks on an incredible adventure.
The world is on the brink of catastrophe in a chaotic age where evil demons roam. In order to keep evil at bay, a mysterious organisation from the pugilist world emerges. A new constable and a young girl with a mysterious past are also drawn into this group, and the group embarks on an incredible adventure.
Su Qi-Er, a wealthy man living during the Qing Dynasty who loses his fortune and reputation as a result of a conspiracy against him. After being forced out onto the streets, Su dedicates his life to martial arts and reemerges as a patriotic hero known as the “King of Beggars.”
Iron Monkey is a Hong Kong variation of Robin Hood. Corrupt officials of a Chinese village are robbed by a masked bandit known as “Iron Monkey”, named after a benevolent deity. When all else fails, the Governor forces a traveling physician into finding the bandit. The arrival of an evil Shaolin monk, brings the physician and Iron Monkey together to battle the corrupt government.
Jackie Chan stars as Wong Fei-Hung, whose mischievous antics land him in hot water. Having tolerated enough of his son’s mishaps, Fei-Hung’s dad enlists his sadistic uncle, who specializes in drunken-style kung fu, to teach the lad some discipline. This Hong Kong martial-arts comedy helped establish the slapstick fighting style that would become Chan’s trademark.