Shower

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Poster for the movie
© 1999 Imar Film Co. − All right reserved.
Poster for the movie "Shower"

Shower (1999)

PG-13 92 min - Comedy, Drama, Foreign - 13 September 1999
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An aged father and his younger, mentally challenged son have been working hard every day to keep the bathhouse running for a motley group of regular customers. When his elder son, who left years ago to seek his fortune in the southern city of Shenzhen, abruptly returns one day, it once again puts under stress the long-broken father-son ties. Presented as a light-hearted comedy, Shower explores the value of family, friendship, and tradition.

Director:  Zhang Yang

Photos

Storyline

An aged father and his younger, mentally challenged son have been working hard every day to keep the bathhouse running for a motley group of regular customers. When his elder son, who left years ago to seek his fortune in the southern city of Shenzhen, abruptly returns one day, it once again puts under stress the long-broken father-son ties. Presented as a light-hearted comedy, Shower explores the value of family, friendship, and tradition.


Collections: Zhang Yang

Genres: Comedy, Drama, Foreign

Details

Official Website: 
Country:   China
Language:  普通话
Release Date:  13 September 1999

Box Office

Company Credits

Production Companies:  Imar Film Co., Ltd.

Technical Specs

Runtime:  1 h 32 min

An aged father and his younger, mentally challenged son have been working hard every day to keep the bathhouse running for a motley group of regular customers.

Shower by Zhang Yang Movie Trailer

Shower by Zhang Yang

Shower (Chinese: 洗澡; pinyin: Xǐ zǎo) is a 1999 Chinese comedy-drama film directed by Zhang Yang and starring Zhu Xu, Pu Cunxin and Jiang Wu. It premiered at the Toronto International Film Festival on 14 September 1999 and won the FIPRESCI Prize. Though only the second directorial work by Zhang and the third production of Imar Film, Shower was selected for numerous film festivals, including San Sebastian Film Festival, Sundance Film Festival, and Seattle International Film Festival, where it received many awards.

Written by Zhang and a team of young scriptwriters, the film revolves around a family-run bathhouse in Beijing. An aged father and his younger, mentally challenged son have been working hard every day to keep the bathhouse running for a motley group of regular customers. When his elder son, who left years ago to seek his fortune in the southern city of Shenzhen, abruptly returns one day, it once again puts under stress the long-broken father-son ties. Presented as a light-hearted comedy, Shower explores the value of family, friendship, and tradition.

Plot

An aged father known to everyone as Old Liu (played by Zhu Xu) and his younger, mentally challenged son Liu Erming (Jiang Wu) run and live in a traditional bathhouse for men in an old district in Beijing. The bathhouse provides a variety of peripheral services, including haircut, massage, shaving, fire cupping, even old-style pedicure, to a motley group of regular customers, many of whom are retired old Beijingers. The patrons usually spend their entire day, day after day, in the bathhouse, engaging in a game of Chinese chess or cricket fighting. As such, they have formed close bonds not only with one another, but also with Old Liu, who is manager, staff, mediator in squabbles, and marriage consultant all in one. One of the patrons is a man who sings ‘O Sole Mio in the shower, but when he goes to sing it in public he loses his ability, until Erming provides him with a shower from a hose. Another patron is Mr. Zhang, whose marriage has been in trouble ever since his wife ran after a thief while naked, and Old Liu arranges a reconciliation by having the man find his wife in the bath. After the bathhouse closes in the evening, Old Liu and Erming go for their daily jog around the neighbourhood, after which they engage in a contest to hold their breath in water as they bathe. Even simple tasks such as cleaning up the bathhouse are tremendous fun for the duo, both of whom behave like little children at these times.

One day, Old Liu’s elder son Liu Daming (Pu Cunxin), who left many years ago to seek fortunes in the southern city of Shenzhen, abruptly returns home. Now a successful businessman, Daming had received a postcard from Erming with a drawing of their father lying in bed. Thinking that his father has died, Daming rushed home, only to find it a misunderstanding. However, the father-son ties between Old Liu and Daming appear to be strained, and Daming plans to return to Shenzhen three days later.

When Erming accompanies Daming downtown to reserve a plane ticket, Erming mindlessly wanders off from the area and is nowhere to be seen. After a futile search, Daming returns home to his distressed father, who lashes out at him for not being able to take care of his younger brother. Old Liu laments that having already lost one son (referring to Daming), he cannot afford to lose the other. The next morning, however, Erming is able to find his own way home, to the relief of everyone. Having already postponed his flight, Daming decides to stay one more night.

It rains heavily overnight. While up on the roof fixing leaks, Old Liu catches a cold and falls sick the next morning. Daming volunteers to take over the work in the bathhouse, delaying his return once more. In the next few days, Daming stays on to help in the bathhouse. He even joins in the daily evening jog with his father and Erming. One evening, after coming back from jogging, Old Liu passes away peacefully whilst bathing in the bathtub.

Erming refuses to accept the reality of his father’s death and insists on opening the bathhouse every day at the usual time. In the meantime, Daming is planning to bring Erming back to Shenzhen to live with him, but he is worried about his wife’s reaction regarding the mentally challenged Erming. He decides to leave Erming in a mental hospital for a couple of weeks whilst he goes back to Shenzhen to make preparations. This is not received well by Erming, however, as he struggles to cope at the mental hospital after fighting with the hospital attendants. In response to the situation, Daming decides to bring Erming back to the bathhouse again and temporarily resume operations.

Meanwhile, the entire district is due to be demolished to make way for commercial development. As removalists begin to move old furniture out of the bathhouse, Erming furiously attempts to stop the removalists from moving out the furniture in an attempt to keep the bathhouse. Eventually, he is convinced by Daming to accept the reality of the situation. The film concludes with a group of old customers gathering in the bathhouse for the last time, removing old paintings and portraits from the walls. Simultaneously, Erming begins nostalgically singing the tune of O Sole Mio as a final farewell to the bathhouse.

Source: Wikipedia