Chinese filmmaker Jia Zhangke returns to the shooting locations of his films, along with his actors, friends and close collaborators. Jia recalls the inspiration sources for his movies, such as Platform, Still Life and A Touch of Sin. The film is the memory of a filmmaker and of a country in convulsion, China, which reveals itself little by little.
A short film omnibus featuring the work of five directors representing five countries involved in the 2017 BRICS summit, an annual international relations conference held between Brazil, Russia, India, China and South Africa. The collection—taking the concept of time as a unifying theme—depicts the economic, political, and social alienations and contradictions that create, compound, and structure issues as wide-ranging as poverty, class stratification, and homeless; familial distress; spousal abuse; and natural disaster.
In 2001, in the impoverished Chinese industrial city of Datong, a young dancer named Qiao falls in love with Bin, a local mobster. During a fight between rival gangs, Qiao fires a shot to protect Bin and subsequently gets sentenced to five years in prison. Upon her release, Qiao goes looking for Bin to try and start all over again.
Four independent stories set in modern China about random acts of violence. Internationally acclaimed Chinese master Jia Zhangke (The World) won the Best Screenplay prize at Cannes for this startling — and startlingly violent — modern wuxia tale of four outcasts on the margins of a rapidly changing China, who channel their underclass rage into a bloody and murderous rampage.
An intimate and character driven piece, STILL LIFE is the story of James Masino, a gifted Filipino painter who finds out he is afflicted with a paralyzing disease known as Guillain Barre Syndrome. Faced with a future where he can no longer paint, James leaves his life in the city and goes on a self-imposed exile to paint one last time, one final masterpiece. Unable to imagine a life without his art, he plans to … Read more
“The World” is a theme park on the outskirts of Beijing, sixteen kilometers from the Chinese capital, designed around scaled representations of the world’s famous landmarks such as the Eiffel Tower or the Leaning Tower of Pisa.The site is seen here not from the visitors’ point of view but through the eyes of a few of its staff, lonely people, communicating poorly, a bit disillusioned with life, glittering for the tourists but dull and restricted … Read more
The movie is set in the remote chinese province of Fenyang, and spans the turbulent 1980s by following four performers in the state-run Peasant Culture Group. We see the group evolve from workers that are restricted to approved revolutionary classics that praise Chairman Mao, through performance of western classics, after china adopts an ‘open door’ policy, and the effects on their lives.
From Wikipedia, the free encyclopedia: Unknown Pleasures (Chinese: pinyin: Rèn xiāo yáo; literally “Free from all constraints”) is a 2002 Chinese film directed by Jia Zhangke, starring Wu Qiong, Zhao Weiwei and Zhao Tao as three disaffected youths living in Datong in 2001, part of the new “Birth Control” generation. Fed on a steady diet of popular culture, both Western and Chinese, the characters of Unknown Pleasures represent a new breed in the People’s Republic … Read more