Through suggestive readings of gender and identity, this book explores the international appeal of an acclaimed contemporary director.
The author has revised the book’s introduction to reflect Ang Lee’s new films and their global reception and adds to the text a consideration of new developments in Chinese film, recent critiques of Brokeback Mountain (2005), and chapters on Lust/Caution (2007), Taking Woodstock (2009), and Life of Pi (2012).
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