In the Remote Place
-A tragic romance set in the Tibetan plateau.
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Deadful Melody
- -A young security man must prove himself worthy by defending the one object wanted by all the masters of the Martial Arts world - the Magic Lyre!
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Female Internment Camp
- -A drug dealer on the run from police in China ditches a small packet of drugs. Lee Wai Man is an HK newlywed visiting China, who unluckily picks up the packet, and is thrown straight into jail. There, she is pushed around by prison bully Ming and befriended by Lau (surname only - I couldn't translate her personal name !), who gives head to a prison guard through the bars, and Ling, a mainland martial arts champion. Wai Man is set up again and again by Ming, scoring first the job of cleaning out the pigsty, then solitary confinement (with rats and cockroaches for company). Eventually, there is an escape planned ....
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Fist From Shaolin
- -Wong Fei Hong (Wong Kwan) must fight against slave trader Master Eleven (Ji Chun Hua) and Prefect Wu to stop the Chinese being sold as slaves work in the gold mines in America.
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Blade of Fury
- -A young martial arts teacher is drawn into a plan to reform Imperial China.
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An Old Man and His Dog
-An Old Man and His Dog is a 1993 Chinese film directed by Xie Jin.
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Xiao zi xian sun ci hou zhe
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Chongqing tan pan
-Winner of the Hundred Flowers Award for Best Film in 1994
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Once Upon a Time in China III
- -Master Wong and his disciples enroll in the 'Dancing Lion Competition' to stop an assassination plot and to battle an arrogant, deceitful opponent.
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Raped by an Angel
- -A lawyer is fascinated by an advertisement with two models, Lam and Man. He arranges a rape plan against Man. He kills her and plots to make the next a suicide. Lam realizes Man is tortured to death, she uses her body to allure him into a trap.
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Run and Kill
- -A man (Fatty) returns home to find his wife with another man. He goes to a bar and begins to drink, waking up the next day to find that he owes a mafioso money for killing his wife. Not wanting to pay the money, he enlists a militia organization only to find the leader a psychopath who seeks revenge on his brother, who the mafioso tortured. The psycho blames Fatty, and kills his mother and young daughter. Fatty must kill the psycho to survive.
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Fight Back to School 3
- -Stephen Chow returns as Chow Sing-Sing, the obnoxious undercover cop who seems to get into all sorts of trouble, only this time he doesn’t go back to school. Instead, Chow goes undercover as the husband of a wealthy socialite (Anita Mui), which doesn’t sit well with his fiancée played by Cheung Man who tries to convince Chow to quit working as undercover.
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City Hunter
- -Extremely silly comedy about a self-indulgent private investigator who winds up on a cruise ship full of rich patrons, gorgeous women, murderous terrorists, and scarce food.
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Rebels of the Neon God
- -Defying his parents, disaffected youth Hsiao Kang drops out of the local cram school to head for the bright lights of downtown Taipei. He falls in with Ah Tze, a young hoodlum, and their relationship is a confused mixture of hero-worship and rivalry that soon leads to trouble.
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The Eagle Shooting Heroes
- -A power struggle between the Queen’s treasonous lover and a princess occurs amid musical numbers, slapstick battles, and martial arts acrobatics. The Legend of the Condor Heroes is a spoof of Louis Cha's famous classic. The story opens with the Queen of the Golden Wheel Kingdom having an affair with her cousin West Poison, who are both plotting to take over the kingdom. The 3rd Princess uncovered their treachery, but West Poison defeated her. She runs and seeks the assistance of her master. He told her of a powerful secret martial arts manuscript hidden in the mountains that she could use to beat West Poison if she could find it and master it. However, things become tricky when West Poison beats her to it and steals the hidden manual. She quickly assembles a coalition to counter West Poison's enormously boosted new strength.
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The Heroic Trio
- -An invisible woman is kidnapping newborn babies who are destined to be emperors and delivering them to the mysterious subterranean supernatural Evil Master. The police are powerless, and the city must be saved by three very different women who share a terrible past. Anita Mui plays the mild-mannered wife of a police inspector who's also the mask-wearing, sword-slinging and knife-throwing crime fighter, Wonder Woman. Maggie Cheung plays the shotgun-toting, hard-boiled bounty hunter, Thief Catcher. Michelle Yeoh is Invisible Woman, the troubled but determined strong right arm of the Evil Master.
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Tom, Dick and Hairy
- -Tom Chan, Dick Ching and his older cousin Hairy Mo live in the same tenement building but each of their love life is different.
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A Wild Party
- -Dr. Poon is a psychiatrist who espouses the therapeutic benefits of wild, screaming group sex. He tells Susan, a recent divorcée who is disenchanted with love and men, that the only way she is going to get over her ex-husband is to watch him have sex with some other woman. When she acquiesces to her shrink's suggestion, Poon insists that he also be present for professional reasons. Meanwhile he coerces his Mainland-born nurse Siu-ying to attend these swingers' parties posing as his wife. There Siu-yang meets Lee Keung, a love-starved divorcee, who falls for the comely young nurse. Soon the two long to flee the soulless, bacchanalian group with which they have become intertwined.
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Legend Of The Liquid Sword
- -The young Chor Lau-heung learns martial arts from Tuk-ku Kau-pai and has attained a high level of skill. His teacher sends him to Shaolin Monastery to attend a contest that is held once every ten years. On the journey, Chor meets Wu Tit-fa and Chung-yuen Yat-dim-hung. When Chor arrives at Shaolin, he fights with a Shaolin student called Mo-fa but neither of them is able to defeat each other. They decide to have a match again on another day. One night, Chor meets Mo-fa and strike up a conversation with her. Both of them decide to enter the palace in search of adventure. They disturb the prince on his wedding night but are accidentally caught in a trap and only manage to escape with the help of Chor's friends.
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The Peach Blossom Land
- -Two drama companies happened to share one auditorium for rehearsal. Friction was inevitable. One of them played 'Peach Blossom', a comedy in medieval costume. Another played 'Secret Love', a sad story with contemporary setting. Though unreconciled in all aspects, they find themselves telling the same story: the story of Chinese people forced to leave home.
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Girl-Gang
- -A teenage girl falls in love with a pimp and is forced into prostitution. [from the Tai Seng Catalog] Amy, Michelle and Yan are three bored teen girls run out of money and decide to trick a guy into paying for their dinner. Their behaviour gets them the attention of a gang leader, Danny, who takes the eldest girl, Amy, as his girlfriend, but with the clear (to everyone but Amy) intention of making her into a hooker. Yan is also drawn into this gang, and the two do become hookers. When Michelle tries to get them out, she is targeted for revenge.
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Last Hero in China
- -Jet Li stars in this comic spectacle as a Chinese "Robin Hood" who stumbles upon a kidnapping scheme after unwittingly opening a martial arts school next to a brothel!
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The Bare-Footed Kid
- -A poor barefoot young man from the country arrives in the city to start work with the friend of his dead father.
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Bloody Morning
- -Freely adapted from Gabriel García Márquez's Chronicle of a Death Foretold, the film follows the investigation of a local teacher's murder in a small and desperately poor rural village, the story of the crime gradually pieced together from the fragmented memories of witnesses forced to testify at an inquest. Sharing with her Fifth Generation colleagues Chen Kaige and Tian Zhuangzhuang a remarkable eye for the barren landscapes of northern China and a fascination with small-town life — especially those enduring superstitions that Communism failed to erase — director Li Shaohong also introduces several formal innovations, particularly in storytelling structure, that remain unprecedented in Chinese cinema.